Used Arri Amira Premium

Listing description

Used Arri Amira Premium – the perfect tool for your job – is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, Used Arri Amira Premium is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. The AMIRA ARRIRAW License Key enables in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording at frame rates of up to 48fps.

It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion.

Cinematic Multicam in HDR
Used Arri Amira Premium supports workflows for live multi-camera productions in HDR according to BT.2100
Hybrid Log Gamma (HLG) or Perceptual Quantizer (PQ)
Cost efficient multicast HDR and SDR workflow with HLG
Works with all AMIRA cameras and standard DTS camera chain components
Best HDR with ARRI cameras
Available for all Used Arri Amira Premium models, the Multicam mode makes the exceptional image quality of ARRI’s ALEV III sensor available to productions within the multi-camera broadcast sphere. Through a Multicam setup, the AMIRA’s shallow depth of field, unrivalled dynamic range and natural colorimetry can lend a cinematic look to live broadcasts, music concerts, TV soaps, and other fast-paced, multi-camera productions.
At its core, Multicam is a simple and flexible interface that can be used with virtually any transmission system required. It allows the image parameters of multiple AMIRA cameras, including iris setting, to be controlled remotely using a Sony Remote Control Panel (RCP).

Used Arri Amira Premium utilizes the same sensor as ARRI’s ALEXA Used cameras and delivers the same phenomenal image quality via a range of recording formats that suit different production needs. Rec 709 or Log C images can be recorded using ProRes codecs at resolutions up to 3.2K and frame rates up to 200 fps. With the 4K UHD option, Used Arri Amira Premium can record ProRes codecs in 3840 x 2160 Ultra High Definition. At the other end of the spectrum, AMIRA’s ability to record low-bandwidth, XDCAM-compatible MPEG-2 allows television productions to integrate it into typical broadcast environments and workflows. Since all of these formats are recorded to in-camera CFast 2.0 cards with super-quick data rates, the route into postproduction is simplified and costs per GB are reduced, making high-quality image pipelines available even to low-budget productions.

No other digital camera is trusted so widely and profoundly in film and television industries worldwide as ALEXA, and since Buy Used Arri Amira Premium shares the same build and image quality, it is an equally trustworthy tool. Whether you are recording in HD, 2K, 3.2K or 4K UHD, AMIRA will capture vibrant, life-like images in any situation, rendering natural, organic colors and skin tones of breathtaking texture, beauty and accuracy.

With a dynamic range of more than 14 stops, incredibly low noise levels and subtle highlight handling, Used Arri Amira Premium offers superior image quality that will look fantastic in any distribution format. It is suitable for countless different kinds of production, but especially for projects where handheld camerawork and single-operator usability are key factors. In unscripted and fast-moving situations, AMIRA’s dynamic range means camera operators don’t have to worry about losing highlight details in bright sunlight or shadow details in dim interiors.

This equipment is located in ES